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https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/232e957c-231e-4134-bd87-81b852124b20/Headshot_Alonso_Galue_2025.JPG Z - About & Cv - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1602743969530-B2DQ0XY8N6JCX7F5AN2I/V_001.jpg Z - About & Cv https://www.agalue.com/paintings-alonso-galue daily 1.0 2026-01-28 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/4c3edbd6-2f4c-443e-8913-39f313cb1eb6/IMG_5189-EDIT.jpg Paintings I Alonso Galue - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764816859272-1B6GZ81YTUPOCKHY2TKB/PARADISE+ALIENS+Pivot+Arts+Festival+Saturday+July+12+-+Sunday+July+27+Wirtz+Center+Chicago+Abbot+Hall+-+Northwestern+University+170+N+Lake+Shore+Drive%2C+Chicago%2C+IL+60611+%28Poster+%28US%29%29.png.png Paintings I Alonso Galue - Paradise Aliens at the Wirtz Center for Performance Arts Northwestern University, Chicago, I Paradise Aliens is a series of monumental murals about migration, climate change and mythology. Commissioned by Pivot Arts Curated by Jorge Silva Currently Exhibited 2025-2026 at the Wirtz Center for Performance Arts Northwestern University, Chicago, IL Financed by the Illinois Art Council Creative Accelerator Grant and the BIG Read 250 from the National Endowment of the Arts. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764817264274-W3L4C0A9ORRX72PSERYM/The+Wonder+Mask+Pilgrimage.png Paintings I Alonso Galue - Wonder Mask Pilgrimage - Collective Action - Part of the Chicago International Puppet Fest - 2025 The WonderMask Pilgrimage is a processional performance by Alonso Galue that merges ancestral ritual with contemporary public intervention. Galue transforms Chicago’s urban landscape into a moving stage one where myth, memory, and resistance converge. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764817297162-VQ1U1U3UTLIKO1YQG78I/the+weeping+mother+nation.png Paintings I Alonso Galue - The Weeping Mother Nation The Weeping Nation is a performative intervention developed by Venezuelan artist Alonso Galue, exploring themes of exile, memory, and national mourning through the figure of a mother searching for her lost children. Drawing on Latin American folklore—including figures such as La Llorona, La Sayona, and La Loca Luz Caraballo—the work reframes these mythic maternal archetypes within the contemporary context of forced migration and political displacement. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764816875891-J0DEY5A2NBLZBM4U0EYB/IMG_2292.PNG Paintings I Alonso Galue - Tell Me How To Get To at Coop Gallery, TN, Curated by Teresa Buffo Galue’s interest in what is universally human informs his painting subjects. A Venezuelan artist running from a corrupted system building narratives through art installations, his latest work is a series of paper murals portraying the instability of the mind and the eternal conflict with oneself. Using inexpensive materials to address labor, totalitarianism, mental health, and immigration, Galue’s immersive experiences, influenced by Latin American absurdism and magical realism, highlight the abilities of low-income people as laborers, artists, and humans. “Plaza Sesamo or Sesame Street was a way to learn about American society as an immigrant – new language, new rules, new system – and consequently, myself.” A puppet is an extension of the puppeteer, and as so represents the various character voices that live within our minds. “I do not aspire to make my art beautiful, but rather to be an ongoing investigation that responds to the human condition.” https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764817307559-0JBMGZNNW4MOUKXFPP00/IMG_8393.PNG Paintings I Alonso Galue - Vultures Lullaby Vulture's Lullaby Presented at Stop Motion Plant and Scratch Night at the International Physical Theatre Festival In Vulture’s Lullaby, artist and performer Alonso Galue channels the voice of a mythic being born from the scraps of a society in crisis. Wearing hand-crafted vulture masks made from rope and paper bags, Galue transforms into a spectral presence—prophet and scavenger—emerging from the urban skyline to deliver a haunting monologue. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764816904919-Y84VNHCPP0LRNJ8GTY1G/IMG_3619.jpg Paintings I Alonso Galue - We Are All Different / We Are The Same For this exhibition, Agitator opened itself to the community’s input and participation. Its walls were covered in large rolls of paper and announcements went out that the gallery was inviting the public to enter and draw on the walls leaving their own art, paintings and comments. The advance publicity invited everyone into the gallery and welcomed all to join in a “public mural painting party.” This project was curated by Agitator member, Alonso Galue, who spent hours every week adding to the murals and interacting with gallery visitors who stopped by to see the work and draw on the walls. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764816912319-X7QUZ0EU0NNOQUIE8L17/Art+with+an+accent+%281%29.png Paintings I Alonso Galue - Art With an Accent - The Marisol Experiment In collaboration with Wendy Madrigal Curated by Lorena Diaz Presented at Floating World Gallery The Marisol Experiment is a multidisciplinary installation project inspired by the work and legacy of Venezuelan-American artist Marisol Escobar, often hailed as the "mother of Pop Art." Developed in collaboration with artist Wendy Madrigal and curated by Lorena Diaz, the exhibition reimagines Marisol’s bold visual language—her use of geometric forms, portraiture, and assemblage—through a contemporary lens grounded in Chicago’s vibrant theater and art communities. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764816894667-LI35IUDG8ARJEXE6POYE/IMG_8074.PNG Paintings I Alonso Galue - You Are here... I Am There Objects become extensions of oneself and our relationship with others. We can think of letters, pictures, and phone calls as forms of communication. For immigrants, the box is one of those elements. The boxes carry food, toys, objects, and anything that can reunite us with our loved ones. The sent toys are not just toys, but also an augmentation of the presence of the sender. A Kermit plushy is not just a Kermit plushy but “ The Kermit Auntie Rosa sent me”. After a few years, the collected objects become part of the family growing constantly to create a tangible city filled with artificial but authentic aunts, siblings, and friends. “You are here” and “I am there” is an installation project that makes these kinds of connections evident. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764816913612-XPHI27PJYMN720BHM3TX/IMG_4085.JPG Paintings I Alonso Galue - I Hear a Symphony exhibited at Elastic Arts Contrary to the work of the social realist painters the work features strong and vivid colors; at first sight, one thinks it is a happy portrait, but when we look closer we find the Venezuelan National Guard shocking a protester while W bites them in the back, two smiling protesters now refugees smile in the front layer of the image, with that constant happiness in the adversity that characterizes the South-American population. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1769641699505-AUBRWMGH1U40VUML30A2/Untitled%2Bdesign%2B%25285%2529.png Paintings I Alonso Galue - Immigrants To Go IMMIGRANTS TO GO makes us notice the presence of the other, the one that we don’t love, the one that we don’t want to recognize because we wouldn’t forgive ourselves if we understood why he is here or what caused his forced displacement to a new territory. Land that allegedly would offer a better quality of life perhaps, at the same time, limits immigrants’ bodies, their spaces and their will in their unpersonified lives. Labor immigrants are disposable existences swallowed by a social system and seasonal jobs. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1764816916609-Y1ZLKU3S7LU1VNIDVL2Q/Untitled+design+%284%29.jpg Paintings I Alonso Galue - Aun Somos Ridiculos This exhibition at the Center for Contemporary Art Galeria La Otra Banda in Merida , Venezuela explores the fragility of family, memory, and individual identity using immersive large-scale ink drawings on unprinted news paper rolls. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191736583-0P79L8LTH742SKVIJINF/4.png Paintings I Alonso Galue - Psycho-Jungle Exhibited during Potential Energy Puppets Up Close at the Chicago Cultural Center, this mural looks into the moments of dissonance and cultural hybridity using characters from sesame street and carnivals to create a mindscape of our century. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191740009-QU25CK6GR7TGO8ECEES8/5.png Paintings I Alonso Galue - The Weeping mother Nation The Weeping Nation is a performative intervention developed by Venezuelan artist Alonso Galue, exploring themes of exile, memory, and national mourning through the figure of a mother searching for her lost children. Drawing on Latin American folklore—including figures such as La Llorona, La Sayona, and La Loca Luz Caraballo—the work reframes these mythic maternal archetypes within the contemporary context of forced migration and political displacement. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191723077-J6U2CU5N93Y2M0OW09SC/2.png Paintings I Alonso Galue - Paradise Aliens Paradise Aliens is a series of monumental murals that weave together climate change, forced migration, and the lingering presence of pre-Hispanic deities. Set in landscapes that oscillate between the sublime and the contaminated, these works portray nature not as untouched, but as mythic terrain reshaped by human greed and survival. Each scene summons folkloric beings and alien forms—guardians, monsters, exiles—who emerge from clouds, mountains, and ruins, confronting the viewer with the question: What spirits have we awakened in reshaping the earth in our image? https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191727040-0HFYT11N47FPSAT1HIYY/3.png Paintings I Alonso Galue - Wonder Mask Pilgrimage The WonderMask Pilgrimage is a processional performance by Alonso Galue that merges ancestral ritual with contemporary public intervention. Donning a towering mask handmade from cardboard and tape, Galue transforms Chicago’s urban landscape into a moving stage—one where myth, memory, and resistance converge. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191752368-7YN85UM4RJA93XQGLYUM/7.png Paintings I Alonso Galue - Tell Me how To Get Too “Plaza Sesamo or Sesame Street was a way to learn about American society as an immigrant – new language, new rules, new system – and consequently, myself.” A puppet is an extension of the puppeteer, and as so represents the various character voices that live within our minds. “I do not aspire to make my art beautiful, but rather to be an ongoing investigation that responds to the human condition.” The oversized paintings of self-portraits fighting with themselves while muppets act as observant, actors, or monsters, made with quick and intense brushstrokes, ask from the viewer not their attention but their empathy. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191747673-XK86OQ9X4GW2M2I5820A/6.png Paintings I Alonso Galue - Teatro Vista's Art With an Accent The Marisol Experiment is a multidisciplinary installation project inspired by the work and legacy of Venezuelan-American artist Marisol Escobar, often hailed as the "mother of Pop Art." Developed in collaboration with artist Wendy Madrigal and curated by Lorena Diaz, the exhibition reimagines Marisol’s bold visual language—her use of geometric forms, portraiture, and assemblage—through a contemporary lens grounded in Chicago’s vibrant theater and art communities. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191760359-QFALC6AM08POS7A6YLL8/9.png Paintings I Alonso Galue - I Hear a Symphony I Hear a Symphony is a collaborative project in which W Madrigal and Alonso Galue created two ephemeral murals showing the migration conflicts from a surrealist and satiric way using expressive brushstrokes and symbolic imagery. mix of cultures Venezuelan-American and Mexican cultures, on heavy-weight paper. The oversized figures remind us of the work of Mexican muralists like Orozco, Siqueiros, and Diego Rivera following a similar structure in which the colliding images create multiple sequential narratives that end in a portrait of the artists. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191758723-HHON3HF3R0XO7H4JCPTX/8.png Paintings I Alonso Galue - We Are All Different / We Are The Same For this exhibition, Agitator opened itself to the community’s input and participation. Its walls were covered in large rolls of paper and announcements went out that the gallery was inviting the public to enter and draw on the walls leaving their own art, paintings and comments. The advance publicity invited everyone into the gallery and welcomed all to join in a “public mural painting party.” https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1752191717319-V6URE30PRG5YUN0LQ3DU/1.png Paintings I Alonso Galue - Weeping Mother Nation - 2025 The Weeping Nation presented at the Chicago Cultural Center - Across history the figure of mothers looking for their children lost to totalitarianism, violence, division. This puppetry piece explores the feelings of a nation that cries their refugees. https://www.agalue.com/ithaca-merida-2020 daily 0.75 2025-01-14 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1609916001713-R0YQ9KI4ESESEJF8EWRA/IMG_2072.jpg Ithaca-Merida https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1609916002311-DANHJR9AXAP47RMQM2W4/IMG_2079.jpg Ithaca-Merida https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1609916004722-AAHASYW2A5YA3SQVWASZ/IMG_2095.jpg Ithaca-Merida https://www.agalue.com/we-are-sick-fucked-up-and-complicated daily 0.75 2021-05-24 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612385533551-FQM1TY0202I9R0079Y7I/IMG_0007.jpg We Are Sick, Fucked up and Complicated https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612385533845-MPMKAF7PAYVU8J3AVJYO/IMG_0005.jpg We Are Sick, Fucked up and Complicated https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612385540990-ZLKHOYYMV7VRI58NI7ST/IMG_0383.jpg We Are Sick, Fucked up and Complicated https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612385549996-IWV7WSBF10U7FECOD9J0/IMG_7236.JPG We Are Sick, Fucked up and Complicated https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612385554903-Z8MI038S6WB71B3FS40G/IMG_7238.JPG We Are Sick, Fucked up and Complicated https://www.agalue.com/colorful-heralds daily 0.75 2021-09-21 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612728480097-KZPAK9ECM8ZU0UV5KYSJ/IMG_0734.JPG Colorful Heralds https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612735130346-S27UAHS7TMS9PIKEO7JX/IMG_0782.JPG Colorful Heralds https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1612728414905-WADJHLMY8M322195P4LR/IMG_0701.JPG Colorful Heralds 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https://www.agalue.com/merida-books-alonso-galue daily 0.75 2021-07-15 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1621830177027-FSWGLWU2TD28URSQUV5R/cover.jpg Merida's Book - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1621828478391-OP4M7ZVBRAZ5CV9PZL7W/2.jpg Merida's Book https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1621828478119-KGBY5JWU1AF6QOEP18HJ/3.jpg Merida's Book https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1621828481380-VED46HA1OZHOOOMKGHJS/4.jpg Merida's Book https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1621829172234-XV56S4UE1EF6R9JL57CJ/5.jpg Merida's Book https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1621829172381-IQWMYMIHCERI3QIA0QHA/6.jpg Merida's Book 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difference. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/7615a08f-7419-48cb-ac2d-26ef17f37852/HiRes6.24.22-4.jpg I Hear a Symphony - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1656368707799-S51RJ8QW1T4YMHPKZ9I6/ElasticGallery6.24.22-15.jpg I Hear a Symphony https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1656368707918-TY0PY1CQ303SN2BND9OF/ElasticGallery6.24.22-16.jpg I Hear a Symphony https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1656368708622-8AECUJ7K2PWYAAYFSBFH/ElasticGallery6.24.22-20.jpg I Hear a Symphony https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1656368709172-6024KZ3UTXOU5KJ7GWGJ/ElasticGallery6.24.22-7.jpg I Hear a Symphony 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https://www.agalue.com/you-are-here-i-am-there daily 0.75 2026-02-21 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/edf0ae88-a1b2-42f1-be27-1ae1e39a196e/IMG_9803.jpg You Are here...I Am There - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1669669016103-UCLA14EOBOBBL7R0WWN6/IMG_9828.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1669669004299-IK8EHQ9DJ7L4JJ7WUTS3/IMG_9813.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1669669012353-4B4XYDZQGK2OR4GS1B75/IMG_9832.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1669669014384-87EYREYEFKFVTZI81DT8/IMG_9831.jpg You Are here...I Am There 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https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704404220039-7WRDPJJ85GBJ7K1J9HTF/aba81882-5419-41d5-be29-e8922fcb769f.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704404220072-KH9Y0OCXLYJAPA9X7DMO/cab4bfa0-f8df-422c-8165-323a9436aa39.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704404220795-B6BV9M4ZSUO40QAGY9LU/021881f9-cc32-4b0d-a730-ac7251c64cc5.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704404220899-V1F6KFYJGHFLDWG3DZID/6733a5fd-1d4c-4d60-9091-9ff01ede3920.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704404221584-FV9NNQPH4M8HK7TANWFI/dcc18080-f3cf-487d-b230-7bcbd7969d9f.jpg You Are here...I Am There https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704404221783-AUNTL9NDO3CNPMANGL96/c9fadff8-7c1c-4547-a724-009e5413621d.jpg You Are here...I Am There https://www.agalue.com/tell-me-how-to-get-to daily 0.75 2026-02-21 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/82c371a9-a474-48f5-b64f-22b3b955c9b9/IMG_2873.jpg Tell Me How to Get To... https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402745927-054V7F6LLR0WJPMGFOLD/IMG_2872.jpg Tell Me How to Get To... - Modified Ernie at the entrance of Coop Gallery Objects exist around us and alter the way that we perceive our reality. We identify with material representations of our ideas and feelings outside of our own bodies as it was stablished by the ones that existed before our times to spread knowledge. This modified puppet is a replica of the Ernie puppet that I purchased, performed and modified to have eyes with distorted portraits. Ernie is transformed into a window to the internal world of the puppeteer. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402479871-B6K9OE2D3DITM3XJ1PQK/IMG_2889.jpg Tell Me How to Get To... - Psycojungle The Internal world is like a forest filled with voices that shape our actions. Multiple identities colliding in one body: the Venezuelan, the American, the Exiled, the Worker, the human. In this piece, we can see the internal world of the artist in which characters from Jim Henson’s Universe collide with carnival masks and expressive portraits in a colorful, monumental painting. The floating character wears a surgical gown, while the head seems in shock and numbed as if in a medical procedure. The image tells us about the internal struggles of migration, trauma, and mental disorders by bringing pop-folk elements of the 21st century together. This piece was later exhibited at the Chicago Cultural Center for Potential Energy curated by Grace Needleman from 2024 to 2025 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402365800-IL9VPF8HMKY60MFDZ2WX/IMG_2873.jpg Tell Me How to Get To... - Exhibition view For the exhibition we decided to use the whole space inside of the gallery as well as extending into the hallways, making the project more psychologically immersive . https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402489692-BBGPA0VBRMDYIY65I5GF/IMG_2885.jpg Tell Me How to Get To... - Lets hang out. 10×12 feet Acrylic on Paper The paper mural reflects a man sitting in front of the composition moving his hands like convincing someone else while in the back Kermit, the Count, and Grover jump scare in a similar attitude but pointing to shoes standing on a chair and elmo legs. The painting deals with the internal dialogues and narratives that happen inside of the mind. An “I” convincing the rest to reach somewhere over the space. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402747664-LJZZKVV59R8KILJRKYGW/IMG_2895.jpg Tell Me How to Get To... https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402553692-PQ2NKX6494698JBGB55X/IMG_2892.jpg Tell Me How to Get To... https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402746022-1Y3TORWGQIK5MF93VNM8/IMG_5602.jpg Tell Me How to Get To... https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402607509-NKZDTJJSMS07YYMV0CYG/IMG_5622.jpg Tell Me How to Get To... https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402382184-QM5LTFOY8AU97PY8SZB3/93A8A3F0-75F5-4E1D-893D-2F8291BE7E35.jpeg Tell Me How to Get To... https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402379272-N7JADP895PU30RQLB3W7/D668CC26-AD07-4331-9754-DB0F3D4E9668.jpeg Tell Me How to Get To... 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https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212088974-OAQH3DMJQH32IMTGSX0D/UrbanTheater+_+Vision+Latino+_+Projections.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212096965-UZWOS65627NFOUBMFMOF/UrbanTheater+Company_1.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749211776372-DJM9W994N4BZAPAKFMEM/Aguijon+Sculpture+1.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212093315-XZHJS45VOFOARETOKQO8/Water+People+Theater+_+1.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212087302-N4S8BHRSO3XBUCCE50N9/TV+Dinner+_+2.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212077702-IVY5GVSHTV4C0JX91773/Mi+Mama+Y+Yo+Performance.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212082652-I78M20WHEGRJYOJFSRE6/The+Men+at+the+Club+_+Marisol.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749211767782-RV3YXHGQOGRF8GT44OFS/Mi+Mama+Y+Yo+_+TVP.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212083454-V7LYVLKDFWMKCRWIVK6A/Three+Women+Performance.jpg Art With An Accent - The Marisol Experiment https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749211767949-N7HONQ0I5IL7OPX6AVPB/Marisol+Display.jpg Art With An Accent - The Marisol Experiment https://www.agalue.com/projects-exhibits daily 0.75 2025-06-06 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749210545348-8GVZOQU9A9TOHJLMXUUL/IMG_3753.jpg Projects and Exhibitions https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749209729539-H4300V6FJM3OHAMH0HA5/IMG_4622.jpg Projects and Exhibitions https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1749212096965-UZWOS65627NFOUBMFMOF/UrbanTheater+Company_1.jpg Projects and Exhibitions https://www.agalue.com/paradise-aliens daily 0.75 2026-02-24 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/59052c24-d488-4b51-9432-8063cf5d8cee/PARADISE+ALIENS+Pivot+Arts+Festival+Saturday+July+12+-+Sunday+July+27+Wirtz+Center+Chicago+Abbot+Hall+-+Northwestern+University+170+N+Lake+Shore+Drive%2C+Chicago%2C+IL+60611.png Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756676867614-LRCH94OVADUDWO84GDDS/IMG_9030.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677032217-1K6DID92T3NVP4R99XK6/IMG_9042.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677210597-S6T0W048XC6AWBSVBXAN/IMG_9044.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756676863680-1OGFLOI6Y4YN92F78VH7/IMG_8901.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677309096-1X2RV6XG3MOPRUYPEFZD/IMG_8213.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677211889-V2WHO40NEL1YUR19BFD1/IMG_9047.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677219093-W4822HJRC2LJ0T8Z7KJG/IMG_9057.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756676871255-EX3FTR7PSM995C4PTF72/IMG_9048.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677205632-0WFTTX1SHQQCULPENV7R/IMG_9052.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677406553-KI2UL1PY13M7RIE3KNU7/IMG_9035-EDIT.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1756677049701-1I6G64FVDDQDHM8RSBQR/IMG_9054.jpg Paradise Aliens https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/c7786e6d-e66c-4f94-9f67-7f31d66839cc/Untitled+%282048+x+1603+px%29.png Paradise Aliens - Make it stand out La Risa Primordial ⏐ The Primordial Laughter (2025) In the beginning was chaos. In the beginning was the all, a resplendent mass of formless matter, without beginning or end, only a primal chaos in continuous motion centered yet centrifugal at once. The primordial emerged from uniting and separating, from centering and dispersing, within a great laughter arisen from the oracles of the before-beginning. The formless matter of the universe consolidated as the mother of all, unfolding in its full force. From there came the great whirlwind of energies that mingled without distinction, never foreseeing the complexity of the terrestrial globe. La Risa Primordial ⏐ The Primordial Laughter (2025) by Alonso Galue explores the origin within a pictorial, hallucinatory, convulsive mass that expresses the energies and the force of the mother of all. That which, in the beginning, gazed upon nascent humanity with a mocking laughter—for it knew, through the oracles, what suffering would attend the consolidation of its matter into life and its intricate existence. In the Muisca tradition of Chiminigagua, the universal energy force gives birth to a group of birds that form the universe through their mythic dance. This piece was created by dancing, so that the strokes were directed from the consciousness of the relationship between humans and nature itself. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/ccdf88de-f875-4dda-afff-3664e2996159/Untitled+design+%283%29.png Paradise Aliens - Make it stand out The Gorilla, the Macaw, and the Venezuelan | El gorila, la guacamaya y el venezolano (2025) The triad of the gorilla, the macaw, and the Venezuelan, constructed atop the imposing landscape of Angel Falls, unknown to a large portion of Venezuelans, expresses in its plastic space a metaphor of the natural world as a territoriality known only by hearsay or glimpses, but rarely truly lived. At the same time, it serves as a powerful metaphor for the color, the humanity, simbols and emotions that currently defines us. Each character in The Gorilla, the Macaw, and the Venezuelan (2025) is part of our strange everyday reality. A gorilla that we fear, without any kind of political correctness, as it represents, in common slang, strength, domination, and the brutality of power. On the other hand, the macaw, which divides in its corporeality until it reaches that iguana it carries upon itself, adorned with the Venezuelan tricolor, and which symbolizes, for many, the preservation of our freedom in a tropical country where the exoticism and exuberance of what is ours overflows without limit. And finally, the Venezuelan shows his resistance in the memory of what has been lived and what is known. The Venezuelan is a signifying transit, in motion, for at this moment, like other migrants, he belongs neither to the sky nor to the underworld. He, this forced migrant, now walks among ruins and memories, taming his nostalgia. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/aa4a56fe-f3d0-4bb1-81a4-d5f93f50e622/Th+Condor+and+Eagle.png Paradise Aliens - Make it stand out Alonso Galue Dance of the Condor and the Nuclear Eagle | Danza del Cóndor y el Águila Nuclear 2025 89.96 x 142 inches The apparent global realities mobilized amid the local and the global, between prosperous and precarious economies, between the unexpected displacements of populations and the ongoing exploitation of the other's non-renewable energies. Norths and Souths that shape new - or not so new - forms of observation and definition of one another, of the ancestral and the technological. Dance of the Condor and the Nuclear Eagle (2025) leads us through a geography charged with telluric energy, with unexpected colors in their arbitrariness, in which two birds laden with meaning by the territoriality to which they belong meet in the same place, in a synchronized flight within the powerful expression with which they are presented to us. The condor, which soars over the Andean landscapes of the southern part of the American continent and represents - in the symbolism of the South -spiritual elevation , memory, and continuity; beside it an eagle, but not just any eagle: this one is defined by the word nuclear, emblem of the threatening energetic intervention, of the forces of surveillance, of the precision of armed invention, and of power. Nevertheless, both birds fly within the symbolic choreography created by Galue, in which they represent ancestral knowledge and technological dominance, and both meet in the same convulsive sky, transcending any border. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/2d8d0684-af0b-4bb7-8a18-d2a357761435/Copy+of+Untitled.png Paradise Aliens - Make it stand out We Were All Heroes, and What Now? | Todos Fuimos Héroes, y Ahora Qué? 2025 An undetermined number of Venezuelans have emigrated from the country over the last 15 years, for predominantly political and economic reasons. Families have been divided and fractured following a long process of civil struggles, misunderstood and worn down by the regime. A symbol of those struggles was the appropriation by protesting collectives of the uniform of the liberator Simón Bolívar, but rendered on a T-shirt fabric that denoted a contemporary renewal of Venezuelan heroism centered on a predominantly young population. We Were All Heroes, and What Now? (2025) poses a great open question about the transience of that collective heroism. Struggles that now evoke and remind us of the moments when the epic was part of each one of our everyday lives. A T-shirt that transmitted the hero to us - that subject we could become in the instant of struggle, in resistance or in the fervor that united many under a cause, a gesture, or an urgency. The Iguana Hero shows his Green Card to the bird-drone in a hallucinatory Canaima that is a stopover by broken dreams and the Blue Line in Chicago. Today, in that suspended “now,” memory is interrogated: What remains of the heroic impulse? Has it been transformed, diluted, silenced, or has it departed? https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/258918c4-6f3f-42e9-89f0-370ae5ef4480/d83471f8-e9e5-4475-88f8-88ce31bd634e.png Paradise Aliens - Make it stand out Andean Cemetery on the 606 / The Tapir and the Condor Weep with the Holy Protester | Cementerio andino en el 606 / El tapir y el cóndor lloran con el santo guarimbero 2025 96 x 142 inches Appropriating the place one arrives at, amid migration, builds new spaces of memory and pathways for recollections. The cemetery is the final place, the site of tears and of individual and collective memories. There we gather and console one another. Symbolically constructing an Andean cemetery on the 606 (Chicago) is to revalue an abandoned memory with the intention of transforming it into a vibrant place of new active signifiers. In this hallucinatory landscape, the cemetery pulses in the artist's characteristic chromatic palette, inhabited by real characters from his memories. A tapir, a condor, and a headless figure whose head is attached to a trunk. Each of these characters carries its own significance within Venezuelan identity, and they are deterritorialized by the artist to establish a language of remembrance in what is defined as this Andean cemetery. These particular characters are part of Venezuelan mythology hybridized between the European, the Indigenous, and the African. The tapir symbolizes the mythical animal of the humid jungles and mountainous forests. It is the icon of solitude and introspection, of retreat, reflection, and connection with the inner world. The condor, in turn, represents the ancestral, the sidereal bird, but the character with the head on its trunk is a re-dimensioning of a colonial image- of the headless men - in which Galue pays homage to those fallen in the Venezuelan civil battles waged against the current regime. Those we lost and who were seen as "others" by those in power. Andean Cemetery on the 606 / The Tapir and the Condor Weep with the Holy Protester (2025) is the place of memory, a memory symbolized in a space appropriated for that purpose. A place - the artist's place - where memory and resilience unite as silent witnesses to the weeping of Venezuelan society that persists on the margins and among those who have left. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/46406972-faae-449b-8da0-6b072855c6fa/0dd1b6d0-f2fd-42b6-a352-d52a6db3d5bb.png Paradise Aliens - Make it stand out It's on Prime and now here — the sad tale of the smoking beaver and the whale-deer in Roraima (2025) Invented fables or mythologies spring forth in the artist's pictorial field, in a place that seems suspended in another time: Roraima, the sacred tepuy for the Pemón, "house of the gods" (tepui = place where spirits/divinities dwell), the stump of the cosmic Tree of Life felled in their ancestral myths, origin of creations, floods, and the lost abundance. Here, a smoking beaver and a whale-deer emerge as impossible, unreal yet profoundly symbolic creatures, hybrids born from dreams, mental arbitrariness, and the urgent need to unite the continental knowledge in order to give birth to something new. In this contemporary fable, these two entities take part in a silent catastrophe: the damage inflicted on the jungle ecosystems by unchecked mining exploitation, climate change, and global overconsumption. The Canadian smoking beaver exhales soot and burned memory, embodying the forest fires that devour the land; the whale-deer, a fusion of marine strength and terrestrial fragility, represents what resists swimming against the current, trembling upon hearing it. This story circulates on Amazon, symbol of the global market and consumption with awareness, and now it arrives here: Roraima as a stage for passage, mourning, and revelation. A tepuy that listens but does not respond to human onslaught, mirroring all the broken geographies of the world order. Pemón origin stories see the tepuyes as remnants of the Tree of Life granted to their ancestors upon arriving in the Amazonia; today, this space transforms into a symbolic battlefield for new deities: the smoking beaver as devastating fire, the whale-deer as instability between sea and land in a post-apocalyptic universe forged from exile. The place becomes a reminder and a sacred place: sticks marking the graves of environmentalists and protectors, echoes of resistance that persist in the ruins of this ancient deities mutated by toxicity. https://www.agalue.com/potential-energy daily 0.75 2026-01-28 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/5437172d-ec4c-4d68-9d67-35d11b7a31f0/IMG_3603-EDIT.jpg Potential Energy - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.agalue.com/tell-me-how-to-get-to-copy daily 0.75 2025-08-31 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/82c371a9-a474-48f5-b64f-22b3b955c9b9/IMG_2873.jpg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402745927-054V7F6LLR0WJPMGFOLD/IMG_2872.jpg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402479871-B6K9OE2D3DITM3XJ1PQK/IMG_2889.jpg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402365800-IL9VPF8HMKY60MFDZ2WX/IMG_2873.jpg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402489692-BBGPA0VBRMDYIY65I5GF/IMG_2885.jpg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402747664-LJZZKVV59R8KILJRKYGW/IMG_2895.jpg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402553692-PQ2NKX6494698JBGB55X/IMG_2892.jpg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402746022-1Y3TORWGQIK5MF93VNM8/IMG_5602.jpg Tell Me How to Get To... 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(Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402369363-NONVWONUTELS01EUKHX9/7A842423-184A-458A-883B-1CB80F39EF26.jpeg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402370828-IYAUUU0DL1UXCCVZN4SM/7CF00D79-B31F-4021-BB1C-1F8E4B1EED93.jpeg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402373415-8P2WJMHI8Z4OSE5YLINO/5C1407B1-B153-4E68-A3C2-8AB195969E84.jpeg Tell Me How to Get To... (Copy) https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/1704402373917-KMQ90MWWNGOIEDE4DC5T/4A0B9D98-4934-492E-8EF6-5B43109242B1.jpeg Tell Me How to Get To... (Copy) https://www.agalue.com/contact daily 0.75 2026-02-21 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/89b72387-748d-4fac-a6d8-530e32c9af81/IMG_2246.jpg Contact - Make it stand out Workshop on Giant Puppets given at Agitator Gallery https://www.agalue.com/10-reward-for-the-lost-bagre daily 0.75 2026-02-22 https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/3eee2c85-32be-4efb-8cf7-a233b4468931/IMG_0110-EDIT.jpg 10$ Reward for the Lost Bagre - Make it stand out La Llamada Caida o El Bagre - After Miguel Von Dangel The failed call or The Bagre 23 Coton paper parts of 9 x 11 cm https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/a8adc3be-5fef-43a6-ad00-402a43dc78e3/el-pescado-4b82de91dd97d.jpg 10$ Reward for the Lost Bagre - Make it stand out El Pescado by Miguel Von Dangel. The fish by Miguel Von Dangel. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/551f8b42-7c60-4fad-8949-424eaba7927f/Panfleto+Bagre+Perdido+%2410.jpg 10$ Reward for the Lost Bagre - Make it stand out Reward poster asking for the piece which states at its bottom the following: BAGRE PERDIDO (or BAGRE RE PERDIDO – appears as BAGRE PERDIDO with possible spacing/artistic effect) La llamada caída o El bagre (después de Von Dangel) .- 2023. Acrílico sobre papel de algodón 23x30 CM 23 módulos Usando la balsa de las medusas por Gericault como estructura base, Galué convierte las figuras en una masa de color que parece moverse dentro de sí misma. 23 piezas que componen esta imagen dibujan en el espacio entre una y otra una rejilla que recuerda estructuras urbanísticas, ahora espacios que contienen la memoria de una masa que se mueve lenta sobre el espacio. Usando El Pescado de Von Dangel, Galué convierte las figuras en una masa de color que parece moverse dentro de sí misma. Las cajas se mueven en mano a mano, chofer a chofer, aduana a aduana, guardia a guardia, refresco en refresco, y la obra-mensaje se transforma en objeto cotidiano vacío. "Ponla allá. Tráela allá" el bagre esta hundido en su propia condición de comunicación cortada esta perdida en una oficina. 10$ RECOMPENSA 09/06/2023 : El bagre-balsa viajo a Weston, Florida para salir a Venezuela. La obra existe ahora perdida en una caja USPS en el Warehouse de Liberty Express Weston a Venezuela. La conexión con Venezuela existe interrumpida por muchos motivos. Las cajas se mueven en mano a mano, chofer a chofer, aduana a aduana, guardia a guardia, refresco en refresco, y la obra-mensaje se transforma en objeto cotidiano vacío. "Ponla allá. Tráela allá" el bagre esta hundido en su propia condición de comunicación cortada esta perdida en una oficina. Con la imposibilidad de que el bagre-balsa llegara a su destino entre guardias, aduanas, pasaportes y refrescos que navegamos ahogó al bagre. La imposibilidad de que el bagre llegara a su destino: el cansancio ganó, la balsa se hundió, cayó la llamada. La obra esta completa. La obra se convirtió en un retrato de la Nueva Venezuela. La Venezuela inalcanzable. El sueño entre guardias, aduanas, pasaportes cual registro humano. Las manchas que navegamos en conjunto bagre figura marina. ENG: The Fallen Call or The Catfish (after Von Dangel) .- 2023. Acrylic on cotton paper 9x11 in 23 modules. Using Géricault's Raft of the Medusa as the base structure, Galué transforms the figures into a mass of color that seems to move within itself. The 23 pieces that make up this image draw, in the space between one and another, a grid that recalls urban structures, now spaces that hold the memory of a mass moving slowly across the space. Using Von Dangel's The Fish, Galué transforms the figures into a mass of color that seems to move within itself. The boxes pass from hand to hand, driver to driver, customs to customs, guard to guard bribe to bribe , and the work-message turns into an empty everyday object. "Put it over there. Bring it over there" the catfish is now sunk in its own condition of severed communication, lost in an office. $10 REWARD 06/09/2023: The catfish-raft traveled to Weston, Florida to depart for Venezuela. The work now exists lost in a USPS box at the Liberty Express Warehouse in Weston, bound for Venezuela. The connection with Venezuela has been interrupted for many reasons. The boxes move from hand to hand, driver to driver, customs to customs, guard to guard, bribe to bribe, and the work-message turns into an empty everyday object. "Put it over there. Bring it over there" the catfish is sunk in its own condition of severed communication, lost in an office. With the impossibility of the catfish-raft reaching its destination amid guards, customs, passports, and sodas that we navigate, it drowned the catfish. The impossibility of the catfish reaching its destination: exhaustion won, the raft sank, the call fell. The work is complete. The work became a portrait of the New Venezuela. The unreachable Venezuela. The dream amid guards, customs, passports—as a human record. The stains we navigate together: catfish, marine figure. https://images.squarespace-cdn.com/content/v1/5f6d1e8e005d75750f4ceb02/e9d51ca5-757e-471b-ab1f-84f977c43a07/c87eb9d2-f3b5-4c33-aeb0-942f8859c703.jpg 10$ Reward for the Lost Bagre - Make it stand out Visitor in the exhibition where a reward print was hanged among with a print of the piece (Hanged upside down - again the interrupted communication with the nation) along the conversations asking for workers to find the piece inside the office. Ibero-american Art Fair Caracas Venezuela.